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FREE Coastline Chronicles CD Available Everywhere Now!

Posted on 12 April 2011 by Mailer-Daemon

Mobile music heats up with Coastline Chronicles!
The brainchild of Mod Mobilian’s own Kris Skoda, Coastline Chronicles is a two-fold entity;

A free CD compilation of 22 of Mobile’s current original music acts will be available in many local businesses -pretty much everywhere- in the coming weeks
and
A yearly three-day music fest on Lower Dauphin Street. (2011 : May 12-14)     Preorder Your Tickets Now!

CD’s available at-

Downtown:

Serda’s Coffee Co
Royal St. Tattoo
Samurai J
Crescent Theater
Bebob’s
Gabriel’s
Hero’s
Haleigh’s
The Garage
Hopjacks
Lunatix & Co.
Island Thyme
Blind Mule
OK Bike Shop
Liquid
O’Daly’s
Alabama Music Box

Midtown:

92 Zew
Mellow Mushroom

West Mobile:

Bubble Lounge
Doughboy Pizza
Tattoo Zone
Industry bar
Hot Topic
Guitar Center
Satori
Mellow Mushroom
Carpe Diem

Eastern Shore:

Royal Street Tattoo
Bay Sound
Papa’s Pizza
Bentz’s Pizza
Slow Fade Tattoo
The Coffee Loft

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photo : Justin Hartley
CD design : Carol Anne Solberger
model : Tori Lane

The Coastline Chronicles CD will feature:

Adam Taylor
Bay City Brass Band
Cockfight
Criminal Class USA & the Hush Hush Revolution
Edward Appleby
El Cantador
Fargo
Gregg Fells feat. Josh Ewing
James Copeland Band
Josh Bond and the Big Black Smoke
Mandown
Mob Towne Revival
Morris Minor
The Old Guard
The Port Wine Stain
Seduction Bomb
The Sunshine Factory
Super Nice Bros.
Swamp Wompus
Too Far From Amsterdam
Underhill Family Orchestra
Venom

The lineup for this year’s festival :

May 12th Alabama Music Box:

Strange Rover (DJ set)- 8:00-9:30 (before and during set up, then also between set ups and after the last band)
Too Far From Amsterdam (roughly 9:30-10:00)
Fargo (roughly 10:20- 10:50)
Edward Appleby (roughly 11:10- 11:40)
The Cimarron Club (roughly midnight- until)

May 13th Alabama Music Box

The Company Man (DJ set)- 8:00-9:30 (before and during set up, then also between set ups and after the last band)
The Handsome Scoundrels/The Old Guard (roughly 9:30 to 10:00)
Banditos (roughly 10:20-10:50)
Seduction Bomb (roughly 11:10-11:40)
Underhill Family Orchestra (roughly midnight- until)

May 14th

During the day Island Thyme:

L. F. Knighton (2:15-3:00)
The Suzies (roughly 3:15- 3:50)
Alex Joy (roughly 4:00- 4:30)
Lane Fisher (roughly 4:40-5:20)
Dave and Virginia of 20,000 Leagues (roughly 5:30-6:15)
Under the Tree (roughly 6:30-7:15)
Mandown (roughly 7:30-8:10)
Adam Taylor (roughly 8:15-9:00)

Night Alabama Music Box:

The Company Man (DJ set)- 8:00-9:30 (before and during set up, then also between set ups and after the last band)
James Copeland Band (roughly 9:30- 10)
Gregg Fells (roughly 10:10- 10:40)
Bay City Brass Band (roughly 11- 11:30)
Cockfight (roughly 11:50-12:20)
The Architects (roughly 12:40- 1:10)
Venom (roughly 1:30- 2:00)
20,000 Leagues (roughly 2:20-until)

Last Year’s Coastline Chronicles:

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Mod Vowel returns to Mobile. And gets an earful . . .

Posted on 29 March 2011 by modvowel

vowel

92 Zew trying to step up their game with Second Tuesday?

Mod Vowel has just gotten back from a sabbatical in the home land to jump right back in to all things Mobile. The first thing Mod Vowel hears about? 92 Zew getting the hot band of the moment, Underhill Family Orchestra, on board for their Second Tuesday Concert Series at The BlueGill.

Mod Vowel has to give it up to whoever nabbed this band for Second Tuesday. Too often, the bands that get the coveted hour of radio time, sound nothing like what the radio station plays. Mod Vowel thinks that even though there are things we would all like to change about the ZEW, we are lucky to have a radio station that gives a shit about local bands.

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With the addition of Underhill Family Orchestra to the Second Tuesday line up, that hour of radio will sound just right up against the other artists that the ZEW plays and will hopefully be the begining of things to come for the monthly series at the BlueGill. If you want to show your support for this gig and drive home the point that they should book more bands that people in this city actually care about (instead of generic hard rock bands that seem totally out of place) show up and clap your hands. Underhill is scheduled to play April 12th. The show starts at 7pm and there is no cover so really…what excuse do you have to not be there?

Another thing that has caught Mod Vowel attention after the return to Mobile was the fact that Arts Alive is just around the corner. Mod Vowel got a sneak peak at Old Lady Hayes’s next “Hey, Have You Heard” article so I won’t blow all of it but read this very carefully : Jimmy Lee. 72 Hours. One Note. Abandoned Buildings. Amazing.

And did your hear about Alabama Music Box? Seriously, the saga with this noise crap has to stop. Mod Vowel was hanging out at the fire station the other night and could hear, clear as day, the horrible band covering The Rolling Stones and Michael Jackson at the Garage. Dauphin Street is an entertainment district. If you can’t handle it, leave. Because this bitching about venues generating revenues that crank it up to 11 is getting old. So. Old.

With that, Mod Vowel bids you good day.

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Kevin Lee: LoDa’s lust for life

Posted on 18 March 2011 by Klee

My watering hole was a tranquil pool in Mardi Gras’ wake. The spent Carnival odors remained beyond the walls as I cuddled with brown liquid and melting ice.

I heard voices approach the door, then burst into my retreat in full squabble.

“You’re just straight up crazy,” a woman said. “Those freaks get what they deserve.”

I didn’t turn to look. The voice teased my memory.

“Hey you,” came from over my shoulder as I felt a tap on the crown of my hat.

It was the Pre-Lenten Princess who previously frowned on my Mardi Gras ambivalence. Her beau, Lord Baggy Britches was nowhere in sight this time.

“I like the shows there,” the brunette alongside her said. “It’s not fair.”

Princess rolled her eyes and shook her head, then slapped me on the shoulder. “You tell her,” she said, pointing toward her companion with a lit cigarette.

“Tell her what?” I asked, ignoring my better judgment.

“Tell her those freaks at Alabama Music Box are just troublemakers,” Princess said. The downtown bar was the object of a lawsuit served by neighbors, folks who long ago entered rivalry with the venue that was Mobile’s most active home for non-mainstream music.

I looked at Princess’ friend in skinny jeans, the imploring look behind heavy mascara, the fading blue streak in her hair.

“I’m not telling her that,” I said, “but I think the suit’s shaky.”

“Aw, c’mon,” Princess said, “those freaks are just straight up gross. They stink. Have you seen those godawful tattoos? I keep waiting for a rat to crawl out of one of them beards.” She chuckled and tilted her beer.

“You really think those people at Alabama Music Box are doing anything new?” I said. “You do realize there have been bars on that block of Dauphin Street for a quarter-century now, right?”

The corners of Princess’ mouth pulled upward, tight and incredulous as her forehead furrowed. Her friend cocked her head in honest curiosity.

“Seriously,” I continued, “I know because I’m an old geezer who saw all of them. First there was 462 Dauphin Street, a blues bar back in the ‘80s. Then G.T. Henry’s, Ivanhoe’s, The Vincent Van Go-Go, Southside Music Hall, Soul Kitchen and plenty of others.”

“But it’s not just ‘cause it’s a bar,” Princess drawled. “It’s ‘cause they make a ruckus.”

“Ruckus, my dear?” I said. “One of the bars that went in where G.T. Henry’s was — McNasty’s I think it was — they would have a row of Harleys out in front of that place on weekend nights and when they cranked them up, it sounded like Mel Gibson was filming ‘Mad Max meets the Jewish Transformers’ in the street. I think one time it shattered billiard balls in a four-block radius.”

“But they’re keeping it going ‘til all hours of the night, way past normal,” Princess said.

“’Way past normal?’” I snorted. “In the mid-‘90s there was a succession of bars, Iberville’s and Mango’s, in the spot next to where Alabama Music Box is now. They didn’t open until close to midnight and their target demographic was bar workers and the late night crowd. When everything else closed, you went there. It was common for them to close after sunup.”

Princess said nothing, just tugged on her Corona as Blue Streak smiled and lightly kicked Princess’ leg in defiance. I savored the moment, too, swirled my bourbon and sipped.

“Of course, if it’s any consolation, she’s on Carnival’s side,” I said, nodding toward Blue Streak.

Princess and her combatant looked each other, equally quizzical. “What?” they asked in unison.

“What the hell’s this got to do with those jerks?” Princess asked. The unannounced departure of Carnival Cruise Line from Mobile in the previous week had left Princess as sore as the rest of Mobile. After the better part of a decade lashed to Mobile as a port of departure, the pleasure boat bunch abruptly announced they were lifting anchor for new assignment to the Crescent City. In the aftermath of a failed defense contract bid, it stung worse than a school of August jellyfish.

“Your pal’s perspective is part of those troubles,” I said. “It all goes together.”

Princess was lost now. I could see 40 years of desert in her eyes.

“Look, Carnival left because they said they could make more money operating out of New Orleans,” I said. “We know that isn’t due to increasing the number of cabins filled because they did a pretty good job of staying full while here.”

Princess nodded along, guarded but following. “Probably because of our mayor,” she said. “He’s turning Mobile into Prichard.”

I snorted and dropped my head, then looked up and gathered patience. “Follow the money,” I said. “It’s a truism in journalism: follow the money. We know what talks; we know what walks.”

A pillar of fire ignited in Princess’ eyes and it seemed she was trailing Moses again.

“It could have been monetary incentives from New Orleans that lured the ships to Louisiana but the modus operandi in that game is to play both sides off against each other,” I said. “You run back and forth, sweetening the pot. Carnival didn’t do that.”

By now, Blue Streak was opening her second Pabst Blue Ribbon, oblivious to the actual irony of her company. Princess flicked another Camel Light ember into life, frowned and pouted at the lack of ashtrays on the bar.

“So if Carnival dropped the departure bomb with no advance warning, my hunch is the critical factor had to be so insulting, they dared not discuss it with Mobile,” I said. “They can charge more for cruises out of New Orleans because it’s more tourist attractive. The reputation does the selling, brings them in early, fills hotels, makes restaurant reservations, checks music schedules. It’s the widely known Crescent City culture that jacks those rates.”

Princess shrugged. “New Orleans is like one of those Yankee cities where you don’t ever see blondes,” she said. “It’s dangerous and dirty but we’re safer.”

“In what sense?” I asked, glancing at Princess’ dark roots. “There’s good safe and bad safe. Look at the marketing for Mobile. Pictures of the battleship, of Bellingrath Gardens, maybe beaches. It’s all nice, all safe but it’s not vibrant. And even downtown, in the supposed entertainment district, there have been opposing sides in place for years looking to direct the future there. Some want it to be varied and alive, a place of modern influence. Others want something not far removed from a gated community that only attracts a narrow slice of the American panorama.”

“Well now that Sam Jones and all his Democrat friends are taking over…” Princess started.

“Look, it’s not about them, it’s about us.” I said, slapping the bar. “We’re the key. Don’t look to someone else. A couple of nights ago, my wife and I sat at a sidewalk table downtown during one of the most beautiful times of the year here. We’re in the buffer right now. The afternoon sun is held aloft by the hands of early daylight savings time while the humidity and heat are kept at bay by early spring. We don’t get much of this before summer’s steam settles in for six months. But still, the sidewalks were nearly bare.”

Princess’ eyes glazed over. Her inner callous thickened.

“When you’re in a new town and you see something like that on a gorgeous day, how does that make you feel about coming back?” I asked.

“It makes me feel like the Gulf is still too cold for beach season,” Princess said. “It makes me feel like if we had a different mayor, he could have solved this.”

I just nodded and smiled. “I thought you might say that,” I said, “so I’ve got some good news for you, Princess. I’ve got the solution to your leadership woes. I found someone with all the requirements needed to step into prominence in Mobile and make a big splash. He’s on his way here right now.”

Princess’ eyes lit up. “Who is it?” she asked. “Is Mike Dow coming back?”

“Oh no,” I said. “It’s someone with Dow’s money but even more of the traits of former political leaders. He has all the intangibles we’ve seen over the years. He’s an independent businessman, not afraid to buck trends, impervious to outside pressures and criticisms. He’s spent time in similar climates and has the habits Mobilians are used to in elected officials. We’ll never lose another contract because he’s used to…”

“WINNING!” the raspy voice shot from the doorway as Charlie Sheen entered, a “goddess” on each arm.

Straight Up Princess’ beer bottle shattered on the floor, her face blank and dumbstruck.

“’Sweet lunacy’s county seat,’ right?” I said, then leaned toward Princess. “Don’t worry, honey. Those girls look to be blondes.”

I knew her shock would pass. After all, Easter was coming, time to switch from dark liquor to white.

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Reuben’s DJ Dance Party – Animal Rescue Foundation Benefit (WATCH VIDEO)

Posted on 11 February 2011 by Mailer-Daemon

Jolt Productions is throwing a DJ dance party dedicated to Lagniappe’s Mobilian of the year, Reuben the Great Dane. The party goes from hip hop to progressive house and finishes with some sexy drum n bass. And to top off the perfect mix is some good Karma because you can party and get your philanthropy on because proceeds from this show are going to the Mobile Animal Rescue Foundation.

ARF-Logo

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Muisc by:
Mark Lannigan – Pensacola – Mechanikal Element Foundation
Hafid Atzel – Pensacola – FSM/Mercury Server
Mingle – Pensacola – Mechanikal Element Foundation
Microphone Messengers – Mobile

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Reuben is Mobile’s most famous dog. Alabama’s Poet Laureate, Sue Walker has even written a children’s book about Reuben’s adventures. Check out the book review below.

Book Review of “Reuben’s Mobile”
By Sue Walker; Illustrated by Kate Seawell
http://www.writersforum.org/books/book.aspx?ID=116

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“Doggone, and this year the Nappie Award went to…..”
http://www.dogsofmobile.com/?tag=reuben-the-great-dane
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Animal Rescue Foundation
http://animalrescuemobile.org/
http://www.facebook.com/group.php?gid=72341623472

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Mark Lannigan – Pensacola – Mechanikal Element Foundation
http://www.facebook.com/profile.php?id=699428463
“Mark is known for dropping sexy beats… If you like intelligent, atmospheric drum and bass” – mcast

http://www.youtube.com/watch?v=AcNUw4qvo88
Mark Lannigan playing at the LTJ Bukem show in Pensacola, Florida, 10-08-2010

http://www.mcast.mercuryserver.com/?p=6636
FSM 020 on MCast November 30 2010 – pt1 Mark Lannigan

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Hafid Atzel – Pensacola – FSM/Mercury Server
http://www.facebook.com/profile.php?id=708509103
FSM - http://www.facebook.com/pages/FSM/139928676021866
“Hafid’s instinctive taste is based on deep progressive house with melodic elements.” – mcast

http://www.mcast.mercuryserver.com/?page_id=72

http://www.mcast.mercuryserver.com/?p=6658
FSM 020 on MCast November 30 2010 – pt3 Hafid Atzel

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Mingle – Pensacola – Mechanikal Element Foundation
http://www.facebook.com/profile.php?id=1307513665

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Microphone Messengers – Mobile
http://www.facebook.com/profile.php?id=501613994

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Mod Mobilians of the Month : Fishbowl Records

Posted on 13 January 2011 by Mailer-Daemon

fisbowllogo

MM: Why don’t you tell me a little about what the idealogy of the label is and give us a little backstory…

Ryan Chavez : First and foremost it is our mission to help developing artists. We are capable of producing a much less expensive alternative to a studio-recorded demo, without sacrificing the sound quality necessary to appropriately showcase a band.  We also have the ability to showcase artists through many other different avenues; opening for a national act, making an introduction to a publishing company, hosting them on our website, producing a promotional video, setting them up with a qualified attorney, etc…

My partner Dan Merker, a sound engineer by trade, co-owns Soul Kitchen Music Hall and we are both partners at The Alabama Music Box. Dan also owns a production company, AM Entertainment Productions, and I help manage the Mobile DJ side of the business. We’re in our 5th year of working together and share the same visions, principles, and work ethic…We began experimenting with live recordings at both venues and quickly realized that we have the capability of producing a quality of sound (in our opinion) comparable to many of the live recordings that are released by the major labels. With the bands already coming to play at the venues it was an extremely easy sell for us to offer to record their shows at an affordable rate.

fishb

Our first big break came when we worked with Rock Ridge Music to record both Ingram Hill and The Benjy Davis Project Live at Soul Kitchen, next we worked with Epic Records to record Natasha Bedingfield Live at the WABB radio station.  Since then we have worked with many of the up and coming local artists such as Kristy Lee, Elley Duhe, and The Sunshine Factory to name a few.

We began simply recording these shows because we realized the need for artists to obtain affordable quality recordings that they could use as demos, sell to fans, use as a learning resource, etc.  While this is still our primary source of income, our business model is evolving every day…much like the recording industry itself.

Lately, we have been moving towards taking on the role of an independent A&R agency… Working on the venue/production side of the industry, we are fortunate to have a Rolodex of relevant contacts that know us on a first-name basis.  These are contacts that many developing artists could greatly benefit from.  Our network consists of music bloggers, entertainment lawyers, publishers, labels, talent buyers, festival producers, recording studios, other venues, you name it… It is our goal to leverage our connections to assist these artists in taking their music to the next level.

MM: Tell me a little about what happens with these live recordings once you’ve made them.

RC: A lot of different things can happen with the finished product… with Kristy’s recording, she used it to help showcase herself to some of the Major labels, it was also used in a promotional video.  The Sunshine Factory’s Live album will be released digitally on January 11, so be on the lookout for that.  Natasha’s recording was approved by Epic Records to be played on the radio (WABB).  Ingram Hill and The Benjy Davis Project are currently in the mixdown and mastering stages, and once finished, it will be sent to their label for approval… if all goes as planned they will be released by Rock Ridge Music.

MM: Any local bands you’ve yet to work with that you would like to?

RC: There’s nothing quite like a packed UgliStick show! It would be fun to capture that and share it with others.  Gregg Fells has some great material, an acoustic solo album would sound awesome.  I’m leaving tons of people out; El Cantador, Underhill Family Orchestra, Josh Ewing, Lisa Mills…  there are so many great local artists!

MM: Can people contact you to have themselves recorded?

RC: Yes – absolutely!  Contact us via our website, facebook, or contact me directly.

www.facebook.com/fishbowlrecords

www.fishbowlrecords.net

ryan@fishbowlrecords.net

And we invite musicians to send us their work(s) at: submissions@fishbowlrecords.net.  Please include a link to band website/myspace/facebook… a short bio or epk, and most importantly a link to the music or attached .mp3 files.


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Bowie Tribute to benefit St. Jude (WATCH INTERVIEW)

Posted on 11 January 2011 by Mailer-Daemon

bowie

Kris Skoda talks to Tony Tornado about the Bowie Tribute Night (Fri Jan 14) at the Alabama Music Box on the Mod Mobilian Show – filmed at The Spot of Tea’s THE Ultra Lounge

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Mod Mobilian Show and Party Tonight on LoDa!!

Posted on 13 December 2010 by Mailer-Daemon

we’re having a shindig y’all…

This will be a two part jam, beginning at Island Thyme with the taping of a very special episode of Modmobilian TV, then spilling over into the Music Box where the party will get seven kinds of crazy.

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Guests on Modmobilian TV will include:

a freestyle session featuring After Schock & Seth Maness of Subject Matters, local rapper Venom, and Kevin McKeown of Mandown!
local singer/songwriter Greg Fells!
CMT Country Strong contender, Holli Mosley!
The Sunshine Factory!
Pablo of 92Zew!
Sir William Masters!
Adam Taylor!
AND MORE!

And as always, the show is FREE to come watch!

From there, the party spills over to the newly-Christmas-decorated Alabama Music Box for:

A SPECIAL SUPER-SECRET MUSICAL GUEST!

a roast of Modmobilian.com, it’s contributors, guests, and possibly complete strangers!
Karaoke with Jordan Bramblett ON THE MUSIC BOX STAGE!
Cheesy video montages celebrating a year of Modmobilian!
DRINK SPECIALS!
And DJ Trey Stein before, between and after everything! You may as well call him Evil Kneival, cause he’s about to amaze you.

last week on the mod mobilian show :

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Talking GERONIMO! on the Mod Mobilian Show (R-Rated Video)

Posted on 06 December 2010 by Mailer-Daemon

geron-feat

Talking GERONIMO! on the Mod Mobilian Show (R-Rated Video)

www.alabamamusicbox.net

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Bootleg! Underhill Family Orchestra live at Geronimo!Fest III

Posted on 01 December 2010 by Mailer-Daemon

ufo

Mobile’s Underhill Family Orchestra LIVE at Alabama Music Box’s Geronimo III festival:

Modmobilian BOOTLEGs are non-professional videos submitted by Mod Mobilian readers and fans.

Want to submit a video of a local event? Upload it to a video website (e.g. YouTube) and send the link to editor@modmobilian.com.

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Marnie Stern at the Music Box 10-29 (w Video)

Posted on 27 October 2010 by Mailer-Daemon

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Singer/songwriter/guitar virtuoso Marnie Stern is set to play the alabama music box in support of her forthcoming self-titled album, due out October 5 from Kill Rock Stars.

Listen to new song “Transparency Is the New Mystery” here.

watch her shred:

Kill Rock Stars logo

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